The media just promoted me as a female body.”ĮMI’s attempt to capitalize on the success of The Kick Inside didn’t improve Bush’s critical standing. “People weren’t even generally aware that I wrote my own songs or played the piano until maybe a year or so after that. “I wasn’t looked at as being a female singer-songwriter,” Bush told NME in 1982. Meanwhile, the overly sexist British tabloid press seized on Bush’s age and appearance to portray her as a shallow sexpot. Many rock critics dismissed her as an airy fairy hippie holdover. charts it catapulted Bush to stardom.īut by the time she released Hound of Love seven years later, at the ripe old age of 26, Bush was portrayed by the press as a washed-up relic.įrom the beginning, Bush’s ethereal prog-pop was out-of-step with the punk movement of the late-1970s. When the album’s lead off single, “Wuthering Heights,” hit number one on the U.K. Editor)įamously “ discovered“ by Pink Floyd’s David Gilmour when a family friend played her demo tape for the Floyd guitarist, Bush’s debut album, The Kick Inside, was released in 1978. (Note: For all TBVO articles follow this page. When Kate Bush decamped to her newly installed home studio in 1983 to begin recording Hounds of Love, the focus of the fourth TBVO, her career was at a crossroads.
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